‘The Taking of Pelham 123’ is a thriller which follows the
conventions of a thriller film opening (could be classed in a sub-genre of
action-thriller). The film is about four men who hijack a train – Pelham 123 –
and want money.
A stylized title sequence is used for this film.
It starts off with the production and distribution company’s logo – Columbia Pictures and Metro-Goldwyn Mayer Pictures.
Camera
The film starts off with an establishing shot of New York’s skyline
city, with panning around the tallest buildings. It then moves to a high angle
looking down on different streets of New York, with taxis and crowds of people,
moving to a close up of the subway sign, showing the location of the movie.
A range of long, mid and close-up shots are used; especially
the use of sudden close-up shots of the men which shows their importance in the
film and making them stand out to us. Along with these shots, the opening has
made use of the fast-forward technique, and fast cuts, to highlight the fast
pace and energy of New York City; but a normal pace was used when zooming into
the men’s faces so the audience can establish that they are the main
characters. This is accompanied by fast paced and exciting music which helps
emphasise the life and energy of New York.
Sound
At the beginning there is only the sound of a train moving
and then a long beep. This then suddenly changes to ambient sound with quiet
train sounds in the background. When the film goes to the crowds of people the
soundtrack suddenly starts. It has heavy base sounds and fast tempo with some rapping;
there are still sounds of trains moving. The
use of train sound effects was effective because it reinforced the main theme
within the film.
Editing
The film uses a variety of editing techniques – mainly fast
cuts and fast forward in order to show the pace of the city and reflect how
fast the men need to work. The use of
many fast cuts helped increase the pace of the opening, establishing to the
audience that the film will be full of action. The scenes change quickly
with cut transactions, however when there is a close up on Ryder's face the
footage is slowed down, making our attention focus on him. When there is a change in location there is a
very fast montage of images that blur together before settling on the office.
All of this is in parallel editing. To end they have a simple black
screen with block white writing say the time '1.58 pm'
Lots of the editing is done to link or fit with trains, they do this to show the importance of the trains and to show what the basis of the film in based on.
Lots of the editing is done to link or fit with trains, they do this to show the importance of the trains and to show what the basis of the film in based on.
Mise-en-scene
The setting and
costumes used in the opening all contrasted with one another which reinforce
the differences in characters and locations. The opening is set in the
busy city of New York and in an office. The costumes of the actors do stand out
from the crowd as they are dressed in black – how hijackers are typically
expected to dress. The lighting in the office is lighter with a blue tint to
it, making it seem calm and technical. The subway is dark, grey and slightly
dingy. This helps to show contrast between the two locations.
The technical use of camera, editing, sound and mise-en-scene
all work effectively in order to set the scene and atmosphere of a busy and
catastrophic day/event which will take place.
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